BFI • 24 February 2026

Zi review: Kogonada’s return to indie filmmaking

A Hong Kong violinist grapples with visions of her future self in a meandering drama where resonant moments are few and far between.Kogonada’s zi is light on its feet and unbound by narrative convention, a film that feels like a direct reaction to the director’s most recent film, the earnest, studio-funded A Big Bold Beautiful Journey (2025), which was widely panned by critics upon release last year. The former video essayist filmmaker renders Hong Kong as a site of almost sublime anonymity, whe...

AnOther • 19 February 2026

Wagner Moura Is Making Oscars History with The Secret Agent

Wagner Moura makes no bones about what in the world makes him angry. The star of The Secret Agent, and first Brazilian to be nominated for a best actor Academy award, is the face of the fury and compassion coursing through the simmering political thriller from Kleber Mendonça Filho, set amid the Brazilian military dictatorship of the 1970s.
“My temperature in life is more explosive when it’s about injustice,” Moura tells me when we sit down to talk at the London Film Festival in October, months...

Inverse • 13 February 2026

The Legendary Epic That Inspired 'Dune' Just Got A Huge Upgrade

The truest, purest way to watch Lawrence of Arabia — David Lean’s historical epic about British officer T.E. Lawrence fighting in the Arab Revolt against the Ottoman Empire — is projected on 70mm. The landscapes, the colors, and the striking intimacy of tortured souls against a backdrop of tremendous desert beauty are what the large-format film gauge is best at. But as we’re not all lucky enough to know a guy who can project it for us whenever we feel like it, a 4K Blu-ray is the next best thing...

BFI • 2 February 2026

10 great British heist films

As the Scorsese and Tarantino-endorsed British crime thriller Strongroom is re-released in cinemas, we break open the history of the British heist film and make off with the goods.A Saturday shift at a suburban English bank draws to a close. The bank manager and cashier are surprised by robbers, their features contorted and smeared by tights pulled over their heads. They break into the strongroom, nicking the loot and locking the two bystanders inside. The bank won’t reopen until Tuesday, but th...

AnOther • 30 January 2026

A Guide to the Searching Cinema of Richard Linklater

It’s been 40 years since Richard Linklater founded the Austin Film Society, beginning his crusade to make scrappy, personal, romantic and boisterous cinema. It’s fitting for a director who first broke out in the 1990s “Indiewood” boom that his latest film, Nouvelle Vague, is an origin story of cinema’s enfant terrible par excellence, Jean-Luc Godard, mounting his iconic debut film Breathless. As Linklater’s first non-English film, Nouvelle Vague feels like a film fanatic has staged and animated...

TIME • 26 January 2026

The True Story Behind 'The Big Fake'

At the start of The Big Fake, a Netflix dramatization of one criminal’s involvement in the most tumultuous events in post-war Italy, Toni Chichiarelli (Pietro Castellitto) is a talented painter living hand-to-mouth as a portrait artist on the streets of Rome. It’s the 1970s, deep in Italy’s “Years of Lead," an era of turmoil marked by political terrorism by neo-fascists and far-left militants like the “Red Brigades,” not to mention interference from the Italian state and profiteering from organi...

AnOther • 19 December 2025

Cover-Up: Laura Poitras on her Spiky Love Letter to a Journalistic Hero

The opening seconds of Cover-Up show footage from a 1968 news report in Utah, after a US Army nerve agent killed thousands of sheep at the Dugway Proving Ground. Institutional recklessness and an absence of accountability haunts the scene, themes that recur throughout the film – a thorough and occasionally spiky profile of investigative reporter Seymour Hersh. 
In addition to exposing America’s chemical and biological weapon programmes, Hersh was responsible for several pivotal feats of journali...

BFI • 15 December 2025

Noah Baumbach on his portrait of a movie star, Jay Kelly: “It’s part of the culture in America that no-one ages”

With Jay Kelly, the director of Frances Ha and Marriage Story turns his lens on the fragility of fame, following George Clooney as an ageing movie star reckoning with his past. In this conversation, Baumbach explores why Hollywood icons make the perfect mirror for our own vulnerabilities.Each Noah Baumbach film feels in some way distinct from the one before. After breaking out with neurotic, dysfunctional dramedies in the 2000s, Noah Baumbach embraced a freer comedic style with Frances Ha (2012)...

AnOther • 10 December 2025

10 Intimate Winter Films to Add to Your Watchlist This Season

Nearly every Christmas film hinges on a seasonal, often kitschy surge of sentimentality in the final act. But for all the reunions, reconciliations and promises of renewal that occur at the end of the year, there is something to be said for the filmmakers who tap the rest of the winter months’ potential as a backdrop for introspective, humanist storytelling.
Winter is a deceptively intimate time of year. It brings a heightened awareness of nature’s harshness and the contrast of warm, manmade hea...

AnOther • 6 November 2025

A Guide to the Feral, Fugitive Cinema of Lynne Ramsay

Although she has only directed five feature films in a quarter-century career, Scottish director Lynne Ramsay’s influence can be felt throughout British cinema today – blending an immediate, sometimes painful naturalism with the impressionistic qualities of photography. Watching her social-realist drama Ratcatcher, set in an impoverished burgh in Glasgow during the 1973 refuse strikes, or Morvern Callar, about a woman fleeing her boyfriend’s suicide from Scotland to Spain, you can track the subj...

Vulture • 20 October 2025

20 Frankensteins From (Nearly) a Century of Cinema, Ranked

Almost 100 years ago, Frankenstein (the man, not the monster) declared an ecstatic, revelatory victory over scientific dogma: “It’s alive!” He had imbued life into a body constructed from dead human tissue and, in the process, kick-started a cinematic tradition that nearly every film featuring a mad scientist has been indebted to. In Universal’s Frankenstein, directed by British filmmaker James Whale in 1931, Mary Shelley’s powerhouse gothic text was truncated to a compromised 70-minute version...

Paste Magazine • 14 October 2025

It Was Just an Accident Is Jafar Panahi's Suspenseful and Human Search for Answers

For more than six months across 2022 and 2023, director Jafar Panahi was imprisoned in Iran. The filmmaker, who began as a protege of Abbas Kiarostami, was originally sentenced in 2010 for his support of the Iranian Green Movement – although he would not go to prison for a dozen years after sentencing, the Islamic Republic of Iran banned him from filmmaking, traveling, and speaking to the international press for 20 years, effectively immediately.Since then, Panahi’s films have been made in secre...

Men's Health • 7 October 2025

The Rock Is Wrestling With Himself in 'The Smashing Machine'

BEFORE ONE OF the big fights in the mixed martial arts biopic The Smashing Machine, prize fighter Mark Kerr (Dwayne Johnson) is arguing with his girlfriend Dawn Staples (Emily Blunt). The heavyweight wrestler was an emerging talent in the late 1990s, before MMA was a billion-dollar industry, and in this specific scene, he's high on painkillers. He feels defensive when his girlfriend calls him out for it, which leads him to accuse her of being out of control. Johnson delivers the line with so muc...

Inverse • 7 October 2025

33 Years Later, David Lynch's Notoriously Misunderstood Masterpiece Just Got A Huge Upgrade

A soothing waterfall, a gently humming mill, a fetching northwestern forest: these are the sights of Twin Peaks, a throwback town that disguises its mystery and selfishness under a visage of true Americana. David Lynch and Mark Frost’s mystery series focused on the murder of popular but troubled high schooler Laura Palmer (Sheryl Lee), with the intrepid, boyish FBI Agent Dale Cooper (Kyle Maclachlan) discovering a nest of demonic spirits implicated in her death. For years, the prequel film that...

TIME • 26 September 2025

The Wild Political Story That Inspired 'One Battle After Another'

The novels of Thomas Pynchon—which include towering canonical works such as Gravity’s Rainbow and V.—are challenging. They’re also brilliant: intoxicating, hilarious, maddening, and vulgar, aggressively lampooning the fascist-capitalist sweep of history and rich (sometimes overwhelmingly so) with cultural references. These challenges are key to his appeal among devotees, including Paul Thomas Anderson, the beloved director whose latest project, One Battle After Another, is a loose adaptation of...

BFI • 25 September 2025

10 great films set in 1970s America

From The Ice Storm to Inherent Vice: 10 period pieces that capture a nation caught between the aftershocks of the 60s and the dawn of Reagan era.During Ang Lee’s The Ice Storm (1997), 14-year-old Wendy (Christina Ricci) watches with attentive but cynical eyes as a Watergate-snared President Nixon spins and deflects on television, all while her parents argue in the background. It’s a concise and expressive example of the power of American films that look back to the 1970s – children scrutinising...

Teen Vogue • 11 September 2025

Jacob Elordi Is a Monster in 'Euphoria.' In 'Frankenstein,' He’s More Human Than Ever

In this review, writer Rory Doherty explores Jacob Elordi's track record of playing monsters and how his role in the new film Frankenstein contributes to that legacy.Guillermo Del Toro says he cast Jacob Elordi as Frankenstein’s Monster because of his eyes: that piercing, vulnerable stare we’ve seen over the years on screen used as a tool of intoxication and control against the people under their spell — or in their way.It’s that history, and that gaze, that make his performance as the monster i...

TIME • 5 September 2025

The True Story of Mark Kerr and 'The Smashing Machine'

The day before the premiere of The Smashing Machine at the Venice Film Festival earlier this week, former mixed martial arts fighter Mark Kerr describes his emotional state as “vibrational.” It’s tough to pin down where jet lag ends and nerves begin, but not long before audiences will see Dwayne Johnson act out his life story for the first time, the 56-year-old is just trying to roll with the absurdity of the moment. Keeping a clear head has been at the top of his agenda for some time now: the f...

Flicks • 18 August 2025

“We’ve become very, very paranoid”: Ari Aster explains Eddington

In a small, isolated New Mexico town, an emasculated sheriff channels the tension of his home life into a feud with the charming but corrupt mayor. Plans to install an environmentally costly data centre show how ambitious the town’s leaders are, while the early policies of the COVID-19 pandemic trigger ordinary, alienated townsfolk to erupt with frustration. Where does everybody turn? To digital worlds where everything feels more certain, personal, and paranoid. This is Eddington, the latest wor...

AnOther • 23 July 2025

Five Key Visual References Behind The Bear’s Cinematography

For four seasons, The Bear has taken the adage “if you can’t handle the heat, get out of the kitchen” to psychological extremes. Rarely can the inventive, disciplined head chef Carmy Berzatto (Jeremy Allen White) handle his demons, but he’d never leave the only place he can prove himself. The hit restaurant drama stars White, Ayo Edebiri, Ebon Moss-Bachrach, and a fleet of character actors and famous guest stars in the ongoing saga of Michelin star ambitions, Italian beef sandwiches, and fallout...

AV Club • 14 July 2025

Primer: An eerie road through the disaffected world of Kiyoshi Kurosawa

Primer is The A.V. Club‘s ongoing series of beginners’ guides to pop culture’s most notable subjects: filmmakers, music styles, literary genres, and whatever else interests us—and hopefully you.
The world painted by Kiyoshi Kurosawa is one of disaffection. The Japanese auteur has made a career of identity thrillers, metaphysical horror, and cultural commentary, with films often sporting deceptively simple monosyllabic titles—Cure, Pulse, Chime, and now Cloud—that circle around existential themes...

Big Issue • 11 July 2025

Legendary filmmaker David Cronenberg: 'Technology is not alien – it’s completely human'

The Shrouds takes David Cronenberg’s contemporary style to an ultra-modern place – the film is filled with screens, digital tampering and tech industry sabotage, all of which add a strange tension to the story’s very human grief and despair. Karsh is a direct expression of his own creator, not just because they both sport a white shock of hair. Like Karsh, Cronenberg lost his wife to illness after decades of marriage, and the way that grief consumed him led him to questions about the ways we mou...

Vulture • 11 July 2025

Every (Live-Action) Superman Movie, Ranked

For nearly 90 years, Superman has been the archetypal superhero — a man of extraordinary ability, with warm, handsome features, dressed like a heroic strongman. He has the entire starter pack of classic and enviable superpowers: flight, superstrength, superspeed, X-ray vision, and a secret identity so mild-mannered that no one believes their dorkish newsroom colleague could possibly be a titan from another world. Since Superman debuted in Action Comics No. 1 (the creation of writer Jerry Siegel...

AV Club • 24 June 2025

A death-obsessed Britain serves as the bloody spine of 28 Years Later

Like any country rigidly divided by wealth and marginalization, there was no essential experience of the COVID-19 pandemic in Great Britain. Instead, there was a fiercely felt mass of contradictions—a projection of stiff-upper-lip and chummy camaraderie (or “Blitz spirit”), but also the insistence of individualism in direct defiance to community policy. Why should we care about our fellow humans when our entire history, culture, and mythos is based on the comfort of feeling more legitimate than...